I make music, devices and things because I simply can’t help it. Somewhere between space opera and what I call Toytronic — electronic music that’s serious at its core and playful on the surface — I’ve been LEGOing sounds and software together since the Commodore 64 and synthpop sounded like the future.
The tools I build follow the same logic as the music: start with curiosity, solve the problem, ship the thing. No roadmap, no pitch deck, no subscription theater. Just a one-man operation keeping things honest.